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A maximum of 80 credits can be selected from English modules, which includes 40 credits of core modules. Core English modules:

Renaissance to Revolution

This module surveys the poetry and prose from the early modern period in England, i.e., that written between the beginnings of the sixteenth century through the seventeenth century to the late eighteenth century. We will look at different genres, from court complaint to sonnets, prose fiction, erotic verse, restoration drama and the works of writers such as Donne, Herbert, Spenser, Marlowe, Dyrden, Milton and Pope. The texts studied will be related to critical methods that help us understand the relationships between literature and the culture, society, and politics of the period in which it was produced.

40 credits

Optional English modules:

Early Englishes

Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Beowulf and Piers Plowman). We will use a variety of techniques , literary, linguistic, anthropological, cultural historical, to analyse each text, thereby opening up discussion of the issues that preoccupied the English of the time, from glorious monster-slaying to the slow surrender of pagan belief to terror at the imminent arrival of Antichrist and on to the first expressions of love and desire. Texts will initially be studied in translation so no prior knowledge of Old or Middle English is necessary, but students will also be given the opportunity to examine texts in the original language.

20 credits

Foundations in Literary Â鶹ֱ²¥app: Biblical and Classical Sources in English Literature

This module provides foundational knowledge about the treatment of Biblical and Classical sources in English Literature. It is an important unit for the study of literature and the Humanities, preparing students for work at higher levels. Typically a Biblical or Classical source and a literary text will be discussed together, to expose a range of meanings and to prepare participants for their own research about both the Bible and Classical material as literature and the treatment of Bible and Classical material in Literature. It will also prepare students for independent research. It is recommended that all students of English take this module.

20 credits

Contemporary Literature

This module introduces students to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Â鶹ֱ²¥apping Theatre: A History of Dramatic Texts in Performance

Covering classical, contemporary and popular texts, Â鶹ֱ²¥apping Theatre; A History of Dramatic Text in Performance aims to turn an interest in theatre and theatre-going into a more thorough appreciation of the ways in which playwriting, acting, design and performance have shaped theatre's development. Each week students will study a particular play and the historical context that informed its first performances and its theatrical afterlife. The course emphasis is on theatre as a social practice and practical discipline. Seminars and lectures will focus on the play in performance, and the processes that underlie production. Students do not need previous knowledge or experience, but should be prepared to try some new approaches to texts, for example through practical workshops.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

Hybrid Forms? Comedy and Tragedy

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a ‘pure’ genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Wole Soyinka.

20 credits

Introduction to Cinema

This module aims to study a cross-section of the most important American films up to the present day and to develop both a formalist and an institutional analysis of these works. Its intention is to study the growth of the classical Hollywood style, a matter of a sophisticated range of technical stratagems as well as of a genre-based cinema, and of the institution of Hollywood itself, the most significant force in cinema to-day.

20 credits

History of English

This module traces the history of the English language of the Fifth century AD through to the present day. Students will learn about the development of English over this period, looking at the factors which have shaped the language, and learning a variety of techniques for studying the language. The module will also introduce students to the range and variety of the English language at all periods, and to the ways in which English influences, and is influenced by, other languages.

20 credits

Introduction to Creative Writing

The aim of this unit is to help students to develop their expressive and technical skills in writing poetry and prose and to improve their abilities as an editor and critic of their own and other people's writing. Students will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on students' own writing. This exploration will help students to develop their own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give students the expereince of being workshopped as well as to establish basic creative writing techniques on Level 1 to preparing students for the challenges of Creative Writing Level 2.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work 'commodity fetishism; alienation' and investigate Freud's philosophy of the subject through selected readings from The Interpretation of Dreams, etc. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical Contexts and Critical and Literary Theory but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

You must take at least 40 credits of Philosophy modules. You must take:

Writing Philosophy

Philosophical writing is a skill that you, the student, must hone early on in order to succeed in your degree. It is also a transferable skill that will serve you in your post-academic career. Philosophical writing combines the general virtues of clarity, organisation, focus and style found in other academic writing with particular philosophical virtues; namely, the ability to expose the implicit assumptions of analysed texts and to make explicit the logical structure of one's own and other people's arguments. A precondition of philosophical writing is a unique form of textual analysis that pays particular attention to its argumentative structure. In this module you will learn and practice philosophical writing. You will learn how to read in preparation for philosophical writing, learn how to plan an essay, learn how to rework your drafts and learn how to use feedback constructively.Ìý Short writing exercises will help you hone specific writing skills. You will bring these skills together by writing a number of complete essays. The lectures in the course will be split between lectures on the art of writing and lectures on philosophical topics in the domain of fact and value. Essay topics will be based on the topical lectures and their associated readings.

20 credits

And at least one other core Philosophy module (20 credits) from the list below.

Ethics and Society

This module introduces students to some core questions in ethics, political philosophy, and social philosophy. We ask questions such as: What is a good life for you? What is a morally good life? Does being virtuous matter? What kind of moral consideration do we owe to non-human animals and the environment?ÌýTurning to political philosophy, we consider how societies should be organised if they are to realise values such as freedom, equality, and community. How should we understand these values? And what role might the state play in promoting (or undermining) them? We also look at some questions in social philosophy. For example: What are social groups? And when and why are social norms oppressive?

20 credits

Mind and World

This module is an introduction to a range of topics in epistemology, metaphysics, and the philosophy of mind. In the first half of the module we consider questions such as: How should we understand knowledge? What implications does cognitive and cultural diversity have for our understanding of knowledge? Should we privilege some points of view? Should we trust others? Can we wrong them if we don't? And what should we say about disagreement? In the second half of the module we ask questions such as: Is the mind a physical thing? Can a machine have a mind? Can you survive the destruction of your body? Do you have free will? And can a machine be responsible for its own actions?

20 credits

Reason and Argument

This module teaches basic philosophical concepts and skills to do with argument.Ìý The first part of the course deals with arguments in ordinary language.Ìý It teaches techniques for recognizing, interpreting, analyzing, and assessing arguments of various kinds.Ìý It also teaches important concepts related to arguments, such as truth, validity, explanation, entailment, consistency, and necessity.Ìý The second part of the course is a basic introduction to formal logic.Ìý It teaches how to translate ordinary-language arguments into formal languages, which enables you to rigorously prove validity, consistency, and so on.

20 credits

Optional philosophy modules:

Ethics in Antiquity: East and West

How should we live? What are the right values and principles by which we should guide our lives? What weight should we give to considerations of morality and justice? Are there fixed truths about these matters or are they just determined by choice or convention? Ethics is concerned with questions such as these. This course will engage with such questions by examining some important and influential texts from the ancient world, both Western and Eastern, including key writings by the Greek philosopher Plato and the Chinese philosopher Zhuangzi.

10 credits

History of Philosophical Ideas

The history of philosophy is made up of a series of debates between competing philosophical traditions and schools: for example, idealists argue with realists, rationalists with empiricists. And at different times, distinctive philosophical movements have dominated the discussion, such as pragmatism, existentialism, phenomenology, analytic philosophy, and critical theory. This module will introduce you to some of these central movements and traditions in the history of philosophy from Plato onwards, and the key philosophical concepts and issues that they have brought in to western thought.

10 credits

Death

This module is mainly about death itself . What is death? What happens to us when we die? Could there be an afterlife? Would it be a good thing if there were? What is it about death that we dislike so much, or that makes it bad? Is it rational, or even possible to fear death? What is the right attitude towards our own death? Do we have moral duties towards the dead? The course will clarify these questions and attempt to answer them. Readings will be taken from both historical and contemporary sources.

10 credits

Philosophy of Sex

Sex is one of the most basic human motivators, of fundamental importance in many people's lives, and a topic of enormous moral, religious, and political contention. No surprise, then, that it turns out to be of great philosophical interest. We will discuss moral issues related to sex' asking when we might be right to judge a particular sex act to be morally problematic; and what political significance (if any) sex has. We will also discuss metaphysical issues, such as the surprisingly difficult questions of what exactly sex is and what a sexual orientation is. Throughout our study, we will draw both on philosophical sources and on up-to-date contemporary information.

10 credits

Philosophy of Religion

This course will pose and try to answer philosophical questions about religion. These include questions about the nature of religion. For instance does being religious necessarily involve believing in the existence of a God or Gods? And is religious faith compatible with adherence to the scientific method? Other questions that the course will cover include questions about the theistic notion of God. Does the idea of an all-powerful being make sense? Is an all-knowing God compatible with human freedom? And is an all-powerful, all-knowing and perfectly good creator of the universe compatible with the existence of evil? Further questions concern God and morality. Is it true that if there is no God, then there is no right and wrong? The course will examine philosophical arguments for the existence of God, and question whether these arguments are sound.

10 credits

LGBTQ [Lesbian, Gay, Bisexual, Trans and Queer] Studies

This module introduces students to study of genders and sexualities, and LGBTQ scholarship, both historical and contemporary. It examines genders and sexualities in society, culture, media, and their academic study, as well as contemporary issues of inequality affecting sexual minorities in different global contexts. The module is team taught by experts in different departments at the University of Sheffield, who will introduce students to a wide range of theoretical and methodological perspectives, such as philosophy, history, social sciences, psychology, evolutionary biology, education, cultural studies, and critical study of religion. The module is assessed by a coursework portfolio, where students answer a number of short questions on different topics in the syllabus.Ìý

10 credits

Philosophy of Science - Why Trust Science?

Science plays an important role in modern society. We trust science on a day to day basis as we navigate our worlds. What is about science that makes it so trustworthy? Why is science a good guide for understanding the world? The aim of this half-module is to introduce some of the philosophical issues that arise in science and through reflecting on science. Most of the questions considered concern the epistemology of scientific knowledge and methodology: what are scientific theories, what counts as evidence for these theories, what is the relationship between observation and theory, is there a scientific method, what distinguishes science from other ways of understanding the world, and how does the social structure of science help or hinder science in studying the world. This module aims to introduce these questions as philosophical issues in their own right and within in the context of the history of the philosophy of science.

10 credits

Truth, Reality and Virtual Reality

This module examines the idea that there is an objective reality to which the things we say and believe are answerable, which makes some claims true and others false. The emphasis is not so much on the question of whether and how we know things, but on metaphysical questions concerning truth and reality. 'What is Truth?' is one of these questions. Different attempts to define truth - including the Correspondence Theory of truth and the Pragmatic Theory of truth will be examined. Another question the course will tackle is the question of whether relativism about reality can be successfully refuted. And the module will address arguments relating to virtual reality, including arguments to the conclusion that what we think of as the real world is in fact a simulation, and arguments that call into question the supposed difference between reality and virtual reality. There are political and moral questions that hinge on answers to our metaphysical questions. The aim of the module is to introduce theories, concepts and frameworks that will be helpful to attempts to grapple with the metaphysical questions and further questions that hinge on them.

10 credits

Try a new subject:

The flexible structure of your first year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Core English modules:

Literature and Critical Thought (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Literature and Critical Thought (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Optional English modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Literature and Critical Thought (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Victorian Women Poets: Stressing Sex

This module will introduce you to a range of Victorian women poets and the critical and ideological debates that surround their work. Reading the poetry of canonical writers, such as Elizabeth Barrett Browning and Christina Rossetti alongside less familiar works by, for example Mathilde Blind and Amy Levy, you will engage with questions of gender and genre and to think about how women employed different poetic forms and voices to respond to the political, scientific and religious upheavals of the nineteenth century. We will also also explore the gender politics of the literary canon and consider how a focus on women writers from diverse class, national and ethnic backgrounds might resist powerful narratives about Victorian literature and culture.

20 credits

Exiles and Monsters: An Introduction to Old English

This module explores the language and literature of Anglo-Saxon England, enabling you to read and understand the earliest English literature. You will learn how to read Old English, developing a good understanding of Old English grammar and gaining familiarity with the language and literature through translating a range of texts. We will examine the historical background and cultural contexts of these texts, introducing you to the breadth and variety of Old English texts, and to differing critical approaches to them.

20 credits

Representing the Holocaust

This course will examine fictional and non-fictional, literary and filmic, representations of the Holocaust, and considers the use and extension of conventional textual forms to do so, including documentary film, memoir, short story and cartoon. Texts covered will include Elie Wiesel's 'Night', Claude Lanzmann's film 'Shoah', Martin Sherman's 'Bent', Martin Amis's 'Time's Arrow' and Ida Fink's stories in 'A Scrap of Time'.

20 credits

The Novella and the Uncanny

This course will explore novellas from across the last 150 years which represent uncanny experiences of haunting, madness, obsession, and psychological and political disorientation, with these intense experiences often refracted through the consciousness of a central character. We will consider whether the particularities of this literary form lend themselves to representing experiences at the 'limits of reason'. Texts will include works by Kafka, Camus, George Eliot, Ayn Rand, Pynchon and others. The course will encompass the study of some relevant theory, including Freud's essay 'The Uncanny' - which itself contains an analysis of Hoffman's bizarre short story 'The Sandman'.

20 credits

Good Books: Intertextual Approaches to Literature and the Bible

Literature, film and television constantly return to the Bible as a source of narrative, character and image. Biblical texts are translated, rewritten, transposed and radically challenged by literature from the medieval period to the present day and so intertextual readings of the Bible and literature provide insight into the ways authors engage with politics, philosophy, and tradition. Our module explores a range of intertextual relationships, from medieval dream poetry through to contemporary writing and cultural representation, including a range of genres and approaches. We will analyse film, TV and visual media as well as literary forms, to explore the ways in which creative writers interpret and re-imagine biblical narratives and tropes.

20 credits

Creative Writing Prose Fiction 2

The aim of this unit is to help students to develop their expressive and technical skills in writing prose fiction at Level 2 and to improve their abilities as an editor and critic of their own and other people's writing. Students will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. The emphasis throughout will be on reading as a writer and writing as a reader.

20 credits

Hollywood Cinema

This module introduces you to the study of Hollywood's films, methods, meanings and creative figures, and the history and significance of American filmmaking in the twentieth and twenty-first centuries. You will examine key examples of films and filmmakers from the period of silent cinema up to the present day. You will learn about the characteristics of Hollywood style and narrative, the evolution of film genres such as the Western, the Musical and the Horror film, the progression of the cinema's treatment of subjects such as race, gender, politics and war, and developments in business and technology which have underpinned the international dominance of Hollywood film. As well learning to analyse the details of film form, and gaining understanding of aspects such as editing, lighting and shot composition, you will also engage with the political and cultural readings of popular entertainment cinema, and the history of film theory and criticism. Watching and discussing film texts from different eras will equip you with the analytical and communication skills to debate controversial subjects, to understand the contexts of diverse representations, balance and evaluate differing opinions on challenging subjects, and appreciate the importance of popular cinema.

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Crime Writing: from the fin de siècle to the Golden Age

How did the genre of crime writing become so influential? This module will examine the cultural history of crime writing from 1890-1950, in a range of genres including detective novels, short stories, plays and films, and true crime writing or reportage. By focusing on a number of narratives of crime, the module will invite an analysis of how this genre is engaged with and subverted by writers wrestling with a modernity that included developments including two World Wars, imperialism and anticolonial movements, women's suffrage and presence in the workplace and a hugely increased use of technology, alongside the rise of criminology and psychoanalysis.

20 credits

Sex and Decadence in Restoration Theatre

The period between the Restoration of Charles II 1660 and the accession of James II (1688), witnessed an astonishing development of theatrical practice and culture; the professional Restoration stage, unlike its Renaissance predecessor, used actresses rather than cross-dressed boys to play female parts and the introduction of moveable scenery to these theatres brought with it different styles of acting, plotting and realism. On this module, we will consider how this new kind of theatre enabled the emergence of two key Restoration theatrical types, the rake and the courtesan, and what these new roles might tell us about changing attitudes towards sex

20 credits

Queer and Now: Contemporary Queer Texts

This module introduces students to a range of contemporary queer texts and considers how they respond to key debates and conversations regarding gender, sexuality, identity and community. Students will explore a variety of exemplary texts and artworks from the late 20th century up to the present day, together with the social, political, cultural and theoretical contexts which inform them. Considering how queer texts and theories might expand, challenge or stand in opposition to notions of canon, students will read works by queer novelists, poets and writers and will watch plays, films and drag performances to examine the opportunities of queer work and its relationship to activism and social change.

20 credits

Satire and Print in the Eighteenth Century

Against a background of political, religious and cultural ferment, new ideas of the individual's relationship to the state emerged in the early-eighteenth century. New kinds of readers, authors, and an increasingly powerful book trade reshaped the literary map of Britain. Those fraught relationships are captured in the prose and poetry of the satirists upon this course. The political, religious and economic satires of writers including Defoe, Pope, Swift, Ramsay, Finch, Gay, Leapor, Montagu, Addison and Steele will be read as a new and troubled relationship between the individual and the state emerged alongside a vigorously contested idea of 'Britain' in literature.

20 credits

Creative Writing: Poetry, Poetics, Fusion

The module will entail a practical writing workshop/seminar where students will read, discuss, analyse and critique their own and other students' writing, as well as learn the fundamentals of close and critical reading, technical analysis and critical judgment of contemporary writers from a practitioner's point of view. The workshopping will be structured according to a programme of topics, exercises and commissions which will encourage and train students in the techniques in the main genres, sub-genres and cross-genres, as well as aid them in the development of their own creative writing to an acceptable and potentially publishable standard. Students will study poetry, prose and hybrid texts through appropriate and writer-centred theoretical frameworks - such as form and convention, issues of class, race, language, gender in poetry, narrative, lyric, prose poetry, poetic prose, etc - whilst also being encouraged to critique each others' work, to workshop writing creatively and constructively, and to work with tutors to help prepare work in progress for the main dissertation project later in the year. Students will produce a portfolio of poems, poetic prose, and hybrid writing based on the workshop commissions, as well as a critical essay reflecting on various aspects of contemporary writing.

30 credits

Road Journeys in American Culture: 1930-2000

This module analyses the development of road narratives from the 1930s to the present, looking at the ways in which this narrative trope tells the story of American culture and society throughout the twentieth-century. The module aims to address some or all of the following questions. Do road journeys reflect or run away from political realities 'at home'? To what extent is the road journey a gendered space predominantly occupied by men? Are certain groups of people allowed to travel and other groups not? Is the road journey a metaphor for American colonization and expansion, or something else more ambiguous? Texts to be studied include films such as 'The Wizard of Oz', 'Bonnie and Clyde', The Straight Strory', and 'O Brother, Where Art Thou?' novels such as 'On the Road' by Jack Kerouac, 'Lolita' by Vladimir Nabokov, and 'The Music of Chance' by Paul Auster, and poems by Elizabeth Bishop and Amy Clampitt.

20 credits

Literature, Ecology, Capital

Fredric Jameson famously noted that it seems to be easier for us today to imagine the thoroughgoing deterioration of the earth and of nature than the breakdown of late capitalism. This module explores how literature represents the relationships between ecological crisis and the crises of capitalism. We will consider texts concerned with (for example) petroculture, habitat loss, biotechnology, meat and tourism. Chronologically, we will move from the late nineteenth century to the present. Given the global nature of the topic, we will be concerned with a diverse range of national literatures.

20 credits

Literature and Critical Thought (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Shakespeare: Page, Stage, Screen

This module focuses on the poetry and plays of William Shakespeare. You will read a wide range of his works and analyse them in the context of the cultural and historical energies of sixteenth- and seventeenth-century England, as well as exploring how they have been reinvented and reimagined through performance and as texts which have been refashioned through editorial intervention or adaptation. The module considers the range of dramatic styles and genres that Shakespeare uses, alongside the conditions of performance, kinds of publication, and the characteristics of the language in which he worked. It also relates the texts to critical methods that help illuminate the relationships between drama and the culture, politics, and religion of the period and the ways in which Shakespeare's works have been remade for different times and contexts.

20 credits

Introduction to Interactive Digital Narrative

Interactive digital narratives are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You are walking through the woods and hear a horrible noise coming from up ahead. Do you run forward to investigate or do you hide in the bushes?' Here both 'run forward' and 'hide' will be links so that you can choose what you want to do and find out what happens when you do it. The module includes both critical and creative work. You will read digital narratives - not just adventures but explorations of a wider range of experience - and think about how they are structured, how they evoke virtual spaces, and their relationship with games and gaming. You will also make a narrative of your own, using the creative process to learn more about the nature of digital stories. You don't need any special knowledge of computers or coding - everything necessary is taught in the module. Students from previous years have found it extremely helpful to be able to talk about their projects in interviews for jobs involving digital communication and content creation.

20 credits

Black Lyric: Poetics and Politics of Hip Hop

This module introduces students to Hip Hop as a musical, cultural and literary phenomenon. Both extremely popular and highly controversial, we will explore the history of Hip Hop from its early developments to the present.ÌýThe module is organised around two principal ideas. The first is that, largely as a consequence of social, economic and racial oppressions experienced by so many artists working in this mode, Hip Hop isÌý inherently political.ÌýÌýÌý

The second idea: Hip Hop is poetical. That is, its lyrics are bona fide literary, hiding almost in plain sight. The genre's best MCs are also some of our finest contemporary poets. Rappers' work deserves and actually requires critical attention. Working mainly in a North American context, over the course of the module, we will reflect upon the various ways in which Hip Hop combines aesthetic innovation with radical social commentary.

Each week, we will focus on a specific artist or group, and attend carefully to 1-2 albums. Expect to study some 'mainstream' work (e.g., Fugees, Cardi B but NOT Vanilla Ice). You will also study underground, 'conscious' and alternative artists.Ìý

Throughout, radical forms (rhetorical, prosodic, intertextual, figurative) collide messily with explicit contents (racism, misogyny, violence, protest). Our aim is to start understanding Hip Hop in its troubling, ingenious complexity.







Ìý

20 credits

Radical Theory

The premise of this course is the necessity to re-interpret the university as a site for philosophical speculation and theory-based intervention. Run collectively, the course will address, to use Walter Benjamin's terms, the catastrophe of the status quo, and is structured around three aims, which are: 1) to address 'moments' of crisis such as, for example, climate change; the neoliberal, market-driven higher education system; the state of exception; the myth of the human; 2) to theorise these crises, and 3) to explore the relationship between theory and practice: in particular to explore theorised agency as enabling political activism.

20 credits

Voice, Body, Power: Forms of Resistance in Contemporary Drama

Focusing on 21st century examples and contemporary debates, this module examines the ways that theatre today tackles highly charged themes like marginality and diversity, homeland and displacement, resources and accessibility, participation and exclusion. You will explore theatre in Britain, but our case studies aim to reflect and promote the diversity that a British context encompasses. Playwrights whose work we look at might include Sabrina Mahfouz, Antoinette Nwandu or Tatenda Shamiso, and companies might include Breach Theatre, Paper Birds or Talawa. By studying a range of plays, companies and contexts, you will develop a complex awareness of the strategies for representation and resistance that theatre can offer. This module will suit you if you want to broaden your knowledge of contemporary drama and you enjoy studying production materials as well as play scripts and critical reading. In addition, you will have the opportunity to practise original dramatic writing of your own, developed with the tutor's guidance and support.

Ìý

20 credits

Optional philosophy modules:

Philosophy of Mind

This module provides a survey of philosophical theories of the mind, looking at such questions as: How is consciousness possible? Why is it that vibrations in the air around us produce conscious experiences of particular auditory experiences in our minds? Why is it that electromagnetic waves hitting our retinas produce particular visual experiences in our minds? What makes our thoughts represent things in the world? What is it about your thought that cats have whiskers that makes it about cats and whiskers? What is it about your thought that there are stars in the universe too far away for any human to have perceived them that makes it about such stars? What is the relation between thoughts and conscious experiences and brain states? We'll look at a variety of answers to these and related questions and examine some of the most important and influential theories that contemporary philosophers have to offer.

20 credits

Formal Logic

The course will start by introducing some elementary concepts from set theory; along the way, we will consider some fundamental and philosophically interesting results and forms of argumentation. It will then examine the use of 'trees' as a method for proving the validity of arguments formalised in propositional and first-order logic. It will also show how we may prove a range of fundamental results about the use of trees within those logics, using certain ways of assigning meanings to the sentences of the languages which those logics employ.

20 credits

Metaphysics

This course is an introduction to metaphysics. It will focus on two general themes: whether we are material things, and the nature of time. Readings will be drawn mainly from recent and contemporary sources.

20 credits

The Rationalists

This module is an introduction to the major works of Descartes, Spinoza, Leibniz, and Kant. Their work is both fascinating in itself and enormously influential today. The emphasis will be on topics in metaphysics and epistemology, such as whether there is a god, whether you and I are material or immaterial, whether the physical or even the mental world is real or apparent, whether anything could have been otherwise than it is, and what it is possible to know. Readings will be mainly from primary sources. Discussion will focus on philosophical problems rather than on historical context.

20 credits

History of Political Philosophy

We are citizens in a democratic capitalist society, we vote and choose our representatives and our government, our representatives make laws that we must then follow. We do not only obey the laws only for fear of being punished; we believe that our system of government is just, and that it is just for us to obey the laws. We believe that - by and large - we live in a just society. Do we? What justifies our system of government? Are there alternative possible relations, alternative forms of citizenship; alternative forms of government, alternative ways of organising a society? Is ours the only just one?
We will look at the history of political philosophy and explore various systems of citizenship, government and economic arrangements. Our main aim will be to understand how these different systems justify or legitimise the existence of government and its authority to make and enforce laws. We will also look at the more general notion of 'justice' that accompanies and grounds these systems of government.
Two side concerns will be:-
1. The relation between a philosopher's view of ethics and her political philosophy.
2. The relation between a philosopher's view of human nature and her political philosophy.

20 credits

Environmental Justice

This module will introduce students to contemporary philosophical discussions of environmental justice at the global level. Topics to be covered may include: The nature of global environmental injustices; responsibility for global environmental problems; the relationship between global environmental challenges and other historical and contemporary injustices; fair international sharing of the costs of environmental action; the justifiability of environmental activism; the rights of indigenous peoples; fairness in global environmental decision-making; and the politics of ‘geoengineering’ the planet.

20 credits

Life Worth Living

What does it mean for a life to go well? How does one live life well? What is a flourishing life? These questions have shaped intellectual endeavour for millennia. Life Worth Living explores approaches to these questions through engagement with diverse traditions/thinkers including classical Greek philosophy, Buddhism, Judaism, Christianity, Islam, Confucianism, Existentialism, Marx, and Nietzsche. The module includes historical analysis of these traditions, visits from individuals whose lives are shaped by them, fieldwork to discuss the ideas beyond the classroom, and assessments to help students develop their own vision of a life worth living.

20 credits

Political Philosophy Today

This module will investigate a broad range of contemporary topics and issues in political philosophy. ExampleÌýtopicsÌýinclude the political rights of animals and children, how we should allocate scarce health resources, whether we should ban private education, and the limits of free speech in the workplace. By studying these topics and others, students will gain a broad knowledge of theÌýstate of contemporary political philosophy,Ìýdevelop theirÌýability to critically assess and discuss real-worldÌýissues, and improve their understanding of how theoreticalÌýtopics in political philosophy can be applied in practical ways.

20 credits

Philosophy of the Arts

This module introduces students to a broad range of issues in the philosophy of art. The first half asks 'What is art?'. It examines three approaches: expression theories, institutional accounts, and the cluster account. This is followed by two critiques focusing on the lack of women in the canon and problems surrounding 'primitive' art. The evolutionary approach to art is discussed , and two borderline cases: craft and pornography. The second half examines four issues: cultural appropriation of art, pictorial representation, aesthetic experience and the everyday, and the nature of artistic creativity.

20 credits

Ethics: Theoretical and Practical

There are some things we morally ought to do, ways we ought to live. Those of us who are not moral sceptics will agree so far. Indeed, we may even agree extensively about what we ought to do or how we ought to live. But why? Ethicists don't just ask what we ought to do. They also try to work out, as systematically as possible, what explains the demands, obligations and requirements that stem from morality. That is what this module will explore. Is morality all about promoting the well-being of humans and other creatures? Does it stem from the requirements of rationality? Is it aimed at achieving the distinctive kinds of excellence that creatures like us can attain?

20 credits

Philosophy of Education

What is education? And what is it for? These are the questions at the heart of this course. To begin to try to answer them, students will engage in: (1) a theoretical exploration of the central philosophical problems related to education and schooling; and (2) a practical task focusing on learning how philosophy can be taught effectively to secondary school pupils. The theoretical exploration will be taught in a similar way to other philosophy modules (through a weekly lecture and seminar) and a mid-term coursework essay will assess this component (counting for 50% of the module grade).

The practical element will be taught through workshops, engagement with reflective practice, observations at a secondary school, and actual experience of running seminars with secondary school pupils at the University during a three-day conference at the end of the course. The practical part of the course will be assessed by a teaching portfolio (which counts for 50% of the module grade) composed of lesson plans and a reflection. Teaching is a special kind of challenge, but students on the course are not expected to have any previous experience in teaching or in planning lessons. Help and support will be provided throughout the module to make the delivery of lessons to secondary school pupils a realistic goal for all motivated students.

20 credits

Religion and the Good Life

What, if anything, does religion have to do with a well-lived life? For example, does living well require obeying God's commands? Does it require atheism? Are the possibilities for a good life enhanced or only diminished if there is a God, or if Karma is true? Does living well take distinctive virtues like faith, mindfulness, or humility as these have been understood within religious traditions? In this module, we will examine recent philosophical work on questions like these while engaging with a variety of religions, such as Buddhism, Christianity, Confucianism, Daoism, Islam, and Judaism.

20 credits

Theory of Knowledge

The aim of the course is to provide an introduction to philosophical issues surrounding the knowledge. We will be concerned with the nature and extent of knowledge. How must a believer be related to the world in order to know that something is the case? Can knowledge be analysed in terms of more basic notions? Must our beliefs be structured in a certain way if they are to be knowledge? In considering these questions we will look at various sceptical arguments that suggest that the extent of knowledge is much less than we suppose. And we will look at the various faculties of knowledge: perception, memory, introspection, and testimony.

20 credits

Feminism

Feminists have famously claimed that the personal is political. This module takes up various topics with that methodological idea in mind: the family, cultural critique, language. We examine feminist methodologies - how these topics might be addressed by a feminism that is inclusive of all women - and also turn attention to social structures within which personal choices are made - capitalism, and climate crisis .

20 credits

Bioethics

Bioethics arose in response to the moral challenges thrown up by technological advances of the twentieth century. As we move through the 21st century, new moral problems are emerging, even as old one still concern us.

How should we allocate resource for medical care and research? Are there limits to what can be done to our bodies, or does consent permit everything? In a pandemic, how should we balance concerns for liberty and protecting the vulnerable? Should we try to 'enhance' human beings, or should we be happy with the way we are?

This module will introduce a range of practical bioethical problems, as well as some methods for approaching them. Our emphasis will be on doing philosophy practically, with a view to the implications of philosophical argument in the real world of healthcare, research and bioscience.

20 credits

Plato

The philosopher and mathematician A. N. Whitehead once characterised western thought as a series of footnotes to Plato. The thought of Plato and his teacher Socrates, who both lived in Greece around 400 years before the start of the Christian era, set the agenda for much subsequent philosophy and did much to define our ideas of what philosophy is. This course will introduce students to the study of the philosophy of Plato through a close and critical study of a small number of his dialogues in English translation.

20 credits

Try a new subject:

The flexible structure of your second year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Optional English modules:

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Exiles and Monsters: Reading Old English

This module explores the language and literature of early medieval England (500-1066), enabling you to read, translate, and understand the earliest English literature. You will learn Old English, developing a good understanding of Old English grammar and applying that knowledge as you translate Old English texts. You will also gain familiarity with Old English literature through translating a range of diverse texts. We normally start translating Old English prose in Week 2 and move on to poetry after a few weeks. Texts studied on this module might include Wulfstan's famous sermon to the English (in which he goes on about how sinful the English are), The Battle of Maldon (about a real battle in 991 in which the Vikings defeated the English), Judith (about a woman who chops off the head of the general whose army is besieging her city), and Beowulf (about a hero and several monsters). The module will briefly examine the historical background, cultural contexts, and stylistic features of these texts, introducing you to the breadth and variety of Old English texts and to differing critical approaches to them. No prior knowledge of Old English language or literature is required.

20 credits

The Brontës

'Literature cannot be the business of a woman's life, nor ought it to be.' So advised Robert Southey, Poet Laureate, to a young Charlotte Bronte in 1837. Just ten years later she and her sisters, Emily and Anne, caused a sensation: their first novels, published under pseudonyms just weeks apart, were read and reviewed with astonishment, praise and censure. Now some 200 years since their births, the Bronte siblings (including their brother, Branwell) sustain a thriving industry of literary tourism and their works can be read and enjoyed via a multitude of editions and adaptations. This module will explore the art of the Brontës, their writings, drawings and paintings from collaborative juvenilia through to Charlotte's final novel, Villette. These works shed light upon the socio-cultural trends and political upheavals of the 1840s and 1850s, from the plight of the governess to machine breaking in the industrial North. This module will also ask how and why the Brontës have enjoyed such a varied and long-lasting cultural afterlife.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

Fin de siècle Gothic

The module examines a range of Gothic texts and their fin de siècle contexts. Writers explored include R.L. Stevenson, Arthur Conan Doyle, Vernon Lee, Oscar Wilde, M.R. James, Bram Stoker, and H.G. Wells. Students will explore a diverse range of contemporary contexts which will enable them to see how theories of degeneration, images of Empire, models of medicine, notions of decadence, and ideas about history can be applied to the fin de siècle Gothic. The focus on ghosts, vampires, and aliens will help identify how a language of 'otherness' articulated the culturally specific anxieties of fin de siècle Britain. Teaching involves a mixture of lectures and seminars.

20 credits

Creative Writing Poetry Experiments: (De)Constructing Paper Selves

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while thematically and theoretically we will explore concepts of borders and boundaries of the contemporary poem while looking at complex concepts of identity, self, form and language, inner and outer landscapes, gender and politics, trauma, historicity and phenomenology. We will be focussing on the manifold ways in which language constructs and deconstructs self and selves, breaches old paradigms, looks 'behind' itself (in panic?) and yet audaciously ploughs on towards the 'unforeseeable'. During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

Beckett and Late Modernist Experimental Fiction

The module will be looking at Beckett's short fiction and novellas alongside Caribbean, British and Irish experimental fiction of the 1960s and 1970s, and will be exploring the motivations and rationale for the experiments in narrative style and expression, looking at the techniques of experiment used by the writers, and at a range of topics the experiments shape and respond to, including gender, Global North/South relations, Cold War technology and systems theory, psychoanalysis, decolonization, radical and collective subject positions. The writers considered alongside Beckett may include Ann Quin, B.S. Johnson, Beryl Gilroy, Christine Brooke-Rose, Anna Kavan, Shelagh Delaney, Brigid Brophy, J.G. Ballard, Muriel Spark, Maureen Duffy, Wilson Harris

20 credits

The Idea of America

If you are interested in how and why contemporary (1950-present day) American writers revise myths of America, then this module will appeal to you. We explore how foundational ideas of America (such freedom, equality, democracy, self-reliance, the frontier, capitalism and American exceptionalism) are reimagined by its poets, playwrights and prose writers. You might read works by authors such as Toni Morrison, James Baldwin, Cormac McCarthy, C Pam Zhang, Charles Yu, Arthur Miller and Ocean Vuong and the module is organised around a series of thematic strands that will help you to make connections between writers and key American mythologies. For example, the themes could include a focus on the ongoing legacies of slavery and settler colonisation and/or a study of the role of religion, region and place in shaping literary perspectives of America. You can expect to read a diverse range of works by Asian-American, Native-American, African-American and Arab-American authors and by the end of this module you will develop valuable leadership and employability skills including improved emotional intelligence and global awareness.

20 credits

Fear of the 'Other': Representation of Identity in Horror Cinema

This module will explore the history of representation of identity in horror cinema, including analysis of gender identity, sexual identity, ethnic/racial identity and national identity among other potential topics.We will first establish the origins, history and formative elements of the genre, considering shared themes, stylistic and narrative traits, aspects of representation and trends within the history of horror cinema. You will then explore the issue of 'othering' through the medium of horror, analysing the representation of women through the predominantly male gaze as either monstrous, victim or 'final girl'; queer representation in horror in which the non-heteronormative has frequently been used as shorthand to imply deviancy/monstrosity; and the representation of people of colour in horror cinema - or rather their lack of representation/stereotyping (see the poster for 2023's The Blackening which showcases an all-black cast with the tagline 'We can't all die first!') Some key theorists that we might study include Laura Mulvey, Linda Williams, Carol Clover, Barbara Creed, Alison Peirse, Harry Benshoff, Tananarive Due, Ashlee Blackwell and Robin Wood. Films we might watch include Get Out, Slumber Party Massacre, The Blackening, Dressed To Kill, Psycho, Halloween, Black Christmas, Night of the Living Dead and I Walked With A ZombieÌý

20 credits

The Beginning of the End of the World

It is impossible to make sense of our world of pandemics, the climate crisis, economic instability, and violent, divisive rhetoric without an understanding of apocalyptic literature. While 20th and 21st century contributions to apocalyptic literature, such as Octavia Butler's Parable of the Sower, are far ranging in their examination of what the end of the world looks and feels like, they all have their origins in ancient notions of catastrophic ends and the hope for a new beginning. This module will guide you to explore the apocalypse's origins in texts left out of the biblical canon, such as the Dead Sea Scrolls, as well as those that are more well known, such as Revelation. You'll learn to engage critically with a range of literature, including contemporary novels dreaming about the end of colonial violence, and cinematic interpretations about climate apocalypse. You will have the opportunity to apply their knowledge about apocalypses to a text and topic that are important to you.

20 credits

Writing Fiction 3

This module explores techniques and strategies for creating fiction through the critical study of short excerpts from a wide range of novels and short stories, imaginative exercises, discussion and feedback on students own writing. This exploration will help students develop their own creative work while sharpening critical appreciation of both classic and contemporary fiction. Subjects covered will include: narrative voice, character, dialogue, plot, mood, pace and style. Examples will include work by Laurence Sterne, Dickens, Joyce and Anthony Burgess, JG Ballard, Martin Amis, Irvine Welsh, Chuck Palahniuk and Michael Houellebecq.

20 credits

Crime and Transgression in Romantic Literature

This course focuses on the literature of the period 1900-1945, in particular on Anglo-American and Irish Modernism, its origins around World War 1, and the texts of the 1920s and 1930s which register its impact in Britain and North America. While the Modernism movement will be at the centre of the course, represented by Joyce, Woolf, and Eliot for example, we will examine a full range of texts of that period and pay attention to the vast range of styles, issues, and non-modernists movements of the periods. The aesthetic revolution of Modernism will be changed

20 credits

Contemporary Black British Writing

This module will explore the diversity of Black British Writing from the Windrush Era to the present, paying particular attention to rewritings of earlier British texts and experiments with generic and cultural forms. We will use theoretical interrogations of race and colonialism from thinkers including Paul Gilroy, Stuart Hall and Reni Eddo-Lodge to analyse works that radically reformulate key moments in British literature and culture from the Roman invasion to The Canturbury Tales, through the colonial hinterlands of Victorian fiction to the aspiration and culture clash of 1950s London.Ìý

20 credits

Dissertation

This module provides third year students with an opportunity to develop work done in Approved Modules and Core units, or study a relevant topic not included in these courses. Students are expected to show a capacity for research and for organising a long essay. The Dissertation is an essay between 8,000 and 10,000 words, the result of a sustained period of independent study at Level 3. The Dissertation takes the place of a second semester Approved Module. Disertation topics must be approved by the Dissertation convenor, Cathy Shrank. She will take into account appropriate courses that have been taken. She may advise against taking the Dissertation. It is exected that students will formulate a topic with the help of a potential supervisor chosen from the full-time academic staff and after discussion with their Personal Tutor. Registration for the Dissertation depends on availability of supervisors. Dissertation students have a preliminary meeting with their supervisors early in Semester 1 and then meet supervisors at least three times during Semester 2. Normally supervisors read one near-complete draft of the Dissertation not later than the first week after the Easter vacation. The Dissertation is due at the end of Semester 2 and normal assessment submission regulations apply to it.

20 credits

The Invention of Romanticism

This module is about the birth and legacy of romantic-era writing. It studies famous figures such as William Wordsworth, John Keats and Emily Bronte alongside lesser-known writers such as Charlotte Smith, Charles Waterton and John Clare. It is taught by a team who use their research interests in fields such as environmental criticism, gender studies or colonial writing to think about how such authors inform our thinking about the world today. Over the year you'll write two essays and develop a proposal for an end-of-year module conference where, supported by your tutors, you can present your ideas and findings to the class. As well as helping you find your own critical voice and developing your academic writing and research skills, this module believes that the modern world and how we think of it was born and shaped by the literature of the Romantics and it encourages you to think critically about that legacy.

40 credits

Renaissance Literature, Modern Crisis

This module considers early modern and Renaissance literature in relation to some of the pressing concerns of the modern world, e.g. the climate emergency, decolonisation, and gender identity (topics may vary from year to year depending on staff expertise and current events). It will combine historicism (looking at texts in historical contexts) with presentism (thinking about how we read texts in our own historical context). You'll write a critical essay relating early modern literature to a modern priority, and then work on a project whose nature and scope you'll decide in dialogue with your tutor(s): for example, an edited collection of texts based around a shared theme; teaching materials; or a magazine-style article. As well as helping you hone your academic writing and your research and critical thinking skills, this module encourages you to think about how literary texts can speak to problems in the wider world.

40 credits

Research Topics in Theatre and Film

This module introduces you to significant research topics that cut across theatre and film studies, opening up the synergies and divergence between these art forms. Key themes such as Bodies, Identities, Memory, Site and Migration will focus our analysis of diverse historical and contemporary examples, positioned critically alongside notable remakings and sometimes radical adaptations. Research into these case studies will uncover important contexts of creation, production and reception that serve to deepen and problematise their meanings. You will also explore current approaches in theory and criticism that reframe theatre and film in exciting and challenging ways. The module's year-long structure allows substantial time to pursue individual research interests, guided by your tutors and inspired by and extending beyond work we undertake as a group. Reflecting the creative mediums we focus on, this module includes supported assessment options for video essays and project pitches, building skills in editing and audiovisual presentation, as alternatives to the traditional essay. Whether or not you choose to experiment with these formats, you will acquire sophisticated knowledge of film and theatre, deepen your understanding of cinematic and performance languages, and gain valuable skills in creative thinking and expression beyond the written word.

40 credits

Mod Cons: Exploring the Long 20th Century

This module introduces you to current research in the study of literary and related forms of cultural text and practice, focusing on the modern and contemporary periods from the beginning of the twentieth century to the present. With a curriculum adapted each year in response to the current research interests of academic staff, the module focuses on the ways in which literary and related works can be understood in terms of important aesthetic, cultural and socio-political concerns in the period. During this module you will be given the opportunity to develop your critical thinking and your writing and analytical skills through an indepth engagement with a variety of text from the modern and contemporary periods.

40 credits

Radical Theory

The premise of this course is the necessity to re-interpret the university as a site for philosophical speculation and theory-based intervention. Run collectively, the course will address, to use Walter Benjamin's terms, the catastrophe of the status quo, and is structured around three aims, which are: 1) to address 'moments' of crisis such as, for example, climate change; the neoliberal, market-driven higher education system; the state of exception; the myth of the human; 2) to theorize these crises, and 3) to explore the relationship between theory and practice: in particular to explore theorized agency as enabling political activism.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Reading, Writing and Playing with the Creative Essay

This is the essay - but not as you know it. It is, more specifically, the creative essay: a space of play, experiment, criticality, creativity, risk, and sometimes failure. Through lectures delivered by staff from across the Department, you will engage with key examples of the form from different time periods and backgrounds, ranging from Michel de Montaigne to Virginia Woolf, James Baldwin to Teju Cole, Billy-Rae Belcourt and Rebecca Solnit, amongst others. In seminars, you will analyse the techniques writers use to produce essays which are at once personal and critical, giving insights both into the writing 'I' and the object at hand; you will also exchange constructive feedback on your own essays with your peers. Across the module and in the assessment, you will be encouraged to experiment, using this uniquely flexible (and fun!) form to creatively explore the topics, experiences and ideas that really matter to you.

20 credits

Reading Animals

Contemporary literature is filled with stories about animals, and told by animals, which provide astonishing perspectives on animals' experiences—their ideas and feelings, needs and desires; their sense of place, of past and future; their sense of community, loneliness, freedom or danger, or solidarity with humans. In literature, animals tell us what it is like to live in family homes or factories; to go on adventures or to go extinct; to be wild or captive, domestic or feral; to lose their home; to be owned, watched, admired, hunted, worshipped, medically treated, and more. This module looks at literary texts in which nonhuman animals' lives are the central concern. We will study works by writers such as NoViolet Bulawayo, George Saunders, Sabrina Imbler, George Orwell, Yoko Tawada, and Ceridwen Dovey. We will ask: in what ways have authors given voice to animals' experience? What are the most effective literary strategies for representing animals (both portraying and speaking for them)? How have writers re-imagined the fable and other genres in which animals conventionally appear? How are portrayals altered in authors of different race, nation, or gender? And, perhaps most topically, how does literary writing help us rethink animals' importance in an age of extinction and industrial-scale consumption?

20 credits

Privilege and Subversion in Early Modern Drama, 1580-1700

This module surveys the theatre of early modern England, a cultural phenomenon that ranged from the scandalous and iconoclastic drama of Christopher Marlowe to the bawdy, urbane comedy of William Wycherley. We will interrogate the manifold ways in which the privileges and hierarchies of the period (relating, for example, to knowledge, power, gender, politics, sexuality and social class) were interrogated, subverted or upheld by dramatists such as Aphra Behn, John Dryden, Thomas Middleton and John Ford. We will read plays in a variety of genres and will analyse them in the context of landmark cultural and historical changes of sixteenth- and seventeenth-century England, such as religious conflict, colonial expansion, and the growth of London as a centre of pleasure and consumption.The module considers the changing conditions of performance in pre- and post-civil-war theatre, the kinds of publication that dramatists used, and the characteristics of the language with which dramatists worked. It also relates the texts to critical methods that help illuminate the relationships between theatre and the explosive cultural, political, and religious differences of the period.

20 credits

Optional philosophy modules:

Bodies and Souls

Descartes is famous for his view that all mental activity takes place in an immaterial substance, so that what we call a human being is really two things:Ìý a thinking soul and an unthinking body.Ìý Aristotle thought that every living thing, whether conscious or not, was a compound of matter and form, and he called this form a 'soul'.Ìý This view, 'hylomorphism', dominated European philosophy throughout the middle ages.Ìý Both views are currently the subject of renewed interest.Ìý This module will examine them from a contemporary perspective.

20 credits

Advanced Political Philosophy

This module will investigate a broad range of topics and issues in political philosophy and explore these questions in some detail. It will include both historical and foundational matters and recent state of the art research.

20 credits

Global Justice

What are the demands of justice at the global level? On this module we will examine this question from the perspective of analytic Anglo-American political philosophy. We will start by looking at some debates about the nature of global justice, such as whether justice demands the eradication of global inequalities. We will then turn to various questions of justice that arise at the global level, potentially including: how jurisdiction over territory might be justified; whether states have a right to exclude would-be immigrants; whether reparations are owed for past international injustices such as colonialism; and how to identify responsibilities for combatting global injustice.

20 credits

Work Place Learning

This module involves a work placement of 35-70 hours with a local organisation (voluntary or commercial sector). You will experience firsthand the practical challenges and problems facing the organisation. You will learn about the organisation's overall aims, and the various methods and strategies employed to accomplish those aims. You will draw on the concepts and theoretical frameworks studied in your other philosophy modules to identify a philosophical issue relevant to the organisation's work or goals, and to write a piece or pieces of coursework addressing that issue; or you will be able to use the skills and knowledge you have gained in your other philosophy modules to analyse a problem of philosophical interest faced by the organisation or encountered in the course of your employment. You will have two meetings together with other students in the module to discuss your work placement and formulate ideas for your written coursework. You will have a further individual meeting with the module convener or an appropriate supervisor from the School of History, Philosophy and Digital Humanities to discuss the progression of the coursework.

At the end of the module, you should have:

Ìý Ìý the ability to apply ideas from your other philosophy modules in rigorously assessing the challenges facing organisations like the one you worked for, and interrogating potential solutions to them

Ìý Ìý insight into the practical application of theoretical issues in philosophy

Ìý Ìý practical experience that will make you a strong candidate for jobs in the sector you worked in.

20 credits

Topics in Social Philosophy

This module will introduce students to some contemporary issues in social philosophy.

20 credits

Phenomenology

This module introduces students to Phenomenology - a philosophical tradition in continental European philosophy, which is closely related to Existentialism. Phenomenology seeks to understand the human condition. Its starting-point is everyday experience, where this includes both mundane and less ordinary forms of experience such as those typically associated with conditions such as schizophrenia. Whilst Phenomenology encompasses a diverse range of thinkers and ideas, there tends to be a focus on consciousness as embodied, situated in a particular physical, social, and cultural environment, essentially related to other people, and existing in time. (This is in contrast to the disembodied, universal, and isolated notion of the subject that comes largely from the Cartesian tradition.) There is a corresponding emphasis on the world we inhabit as a distinctively human environment that depends in certain ways on us for its character and existence. Some of the central topics addressed by Phenomenology include: embodiment; ageing and death; the lived experience of oppression; human freedom; our relations with and knowledge of, other people; the experience of time; and the nature of the world. In this module, we will discuss a selection of these and related topics, examining them through the work of key figures in the Phenomenological Movement, such as Edmund Husserl, Simone de Beauvoir, Maurice Merleau-Ponty, Frantz Fanon, and Edith Stein.

20 credits

Dissertation Project 1

A variety of topics including an independent choice will be set ÌýFor each topic, a short list of key readings is provided. Having chosen a topic, students are expected to master the readings, and then supplement them with at least two other pieces of relevant literature having used the available library and web resources to research. They then, having agreed a title with a supervisor assigned to them for the module, write an extended essay that identifies the central issue (or issues) under discussion, relates the various responses to that issue found in the literature, evaluates those contributions, and goes some way to identifying a satisfactory resolution of the issue.

20 credits

Free Will & Religion

This module focuses on philosophical questions about the relationship between free will and theistic religions. It has often been claimed that adherents of these religions have significant motivations to affirm an incompatibilist conception of free will according to which free will is incompatible with determinism. Incompatibilist conceptions of free will, it has been argued, have benefits for the theist such as enabling them to better account for the existence of moral evil, natural evil, divine hiddenness, and traditional conceptions of hell. Yet, on the other hand, it has been argued that there is a significant tension between theistic religions and incompatibilist conceptions of free will. For example, there are tempting arguments that an incompatibilist conception of free will makes trouble for affirming traditional views about God's omniscience, freedom, and providence. We will engage in a critical examination of these and related arguments.

20 credits

Moral Theory and Moral Psychology

This course examines the relationship of moral theory and moral psychology. We discuss the relationship of science and ethics, examine the nature of self-interest, altruism, sympathy, the will, and moral intuitions, explore psychological arguments for and against familiar moral theories including utilitarianism, virtue ethics, deontology and relativism, and confront the proposal that understanding the origins of moral thought 'debunks' the authority of ethics. In doing so, we will engage with readings from historical philosophers, including Hobbes, Butler, Hume, Smith, Kant, Mill, Nietzsche and Moore, as well as contemporary authors in philosophy and empirical psychology.

20 credits

Ethics and Belief

We know things as individuals, but we also know things collectively. And what we know individually can depend on our relation to other knowers and collective knowledge. These relations are not merely epistemic, they are also practical and ethical. Knowledge can, for instance, be based on trust, while a failure to recognize someone as a knower can be a matter of injustice. Knowledge thereby has a social character and an ethical dimension. This course will introduce a broad range of topics in epistemology that explore this social and ethical turn.

20 credits

Ancient Chinese Philosophy

This course will introduce students to ancient Chinese Philosophy through a study of some of it classical texts.

20 credits

Pain, Pleasure, and Emotions

Affective states like pain, pleasure, and emotions have a profound bearing on the meaning and quality of our lives. Chronic pain can be completely disabling, while insensitivity to pain can be fatal. Analogously, a life without pleasure looks like a life of boredom, but excessive pleasure seeking can disrupt decision-making. In this module, we will explore recent advances in the study of the affective mind, by considering theoretical work in the philosophy of mind as well as empirical research in affective cognitive science. These are some of the problems that we will explore: Why does pain feel bad? What is the relation between pleasure and happiness? Are emotions cognitive states? Are moral judgments based on emotions? Can we know what other people are feeling?

20 credits

The Science of Consciousness

Consciousness is at once both something incredibly familiar and something utterly mysterious. Consciousness seems to be a subjective phenomenon to which we have a privileged first-person access Yet, this very subjective nature of consciousness makes it hard, if not impossible, to scientifically study. In this module we'll look at recent developments in the study of consciousness from across the cognitive sciences (including philosophy, psychology, neuroscience, and biology). This module will also serve as an introduction to some core issues in the philosophical foundations of cognitive science.In the first part of the module, we will look at various theories of consciousness from across different disciplines. In the second part of the module, we'll look at specific methodological issues that arise in studying consciousness in human and non-human animals.This is an interdisciplinary module. Understanding how the mind is structured is a complex project. In order to make progress we need to appeal to both empirical and philosophical work (and work that blurs this distinction). We'll read scientific and philosophical papers; however, no prior knowledge of cognitive science (or neuroscience) will be presumed.

20 credits

Philosophical Problems 1

The detailed content of this course will vary from year to year depending upon the member of staff teaching it.ÌýFor details contact the School of History, Philosophy and Digital Humanities.

20 credits

Global Justice

What are the demands of justice at the global level? On this module we will examine this question from the perspective of analytic Anglo-American political philosophy. We will start by looking at some debates about the nature of global justice, such as whether justice demands the eradication of global inequalities. We will then turn to various questions of justice that arise at the global level, potentially including: how jurisdiction over territory might be justified; whether states have a right to exclude would-be immigrants; whether reparations are owed for past international injustices such as colonialism; and how to identify responsibilities for combatting global injustice.

20 credits

Dissertation Project 2

A variety of topics includingÌý an independent choice will be set ÌýFor each topic, a short list of key readings is provided. Having chosen a topic, students are expected to master the readings, and then supplement them with at least two other pieces of relevant literature and they havehaving used the available library and web resources to uncoverresearch. They then, having agreed a title with a supervisortutor assigned to them for the module, write an extended essay that identifies the central issue (or issues) under discussion, relates the various responses to that issue found in the literature, evaluates those contributions, and goes some way to identifying a satisfactory resolution of the issue.

20 credits

Philosophy of Law

Law is a pervasive feature of modern societies and governs most aspects of our lives. This module is about some of the philosophical questions raised by life under a legal system. The first part of the module investigates the nature of law. Is law simply a method of social control? For example, the group calling itself Islamic State issued commands over a defined territory and backed up these commands with deadly force. Was that a legal system? Or is law necessarily concerned with justice? Do legal systems contain only rules or do they also contain underlying principles? Is 'international law' really law?
The second part of the module investigates the relationship between law and individual rights. What kinds of laws should we have? Do we have the moral right to break the law through acts of civil disobedience? What is the justification of punishment? Is there any justification for capital punishment? Are we right to legally differentiate between intended crimes (like murder) and unintended crimes (like manslaughter), or does this involve the unjustified punishment of 'thought crime'? Are we right to legally differentiate between murder and attempted murder, despite the fact that both crimes involve the same intent to kill?

20 credits

Plato's Symposium

The Symposium is a vivid, funny and moving dramatic dialogue in which a wide variety of characters - orators, doctor, comic poet, tragic poet, soldier-cum-statesman, philosopher and others - give widely differing accounts of the nature or erotic love (eros) at a banquet. Students should be willing to engage in close textual study, although no previous knowledge of either ancient philosophy or ancient Greek is required. We will be exploring the origins, definition, aims, objects and effects or eros, and asking whether it is viewed as a predominantly beneficial or harmful force. Are some manifestations or eros better than others? Is re-channelling either possible or desirable, and if so, how and in what contexts? What happens to eros if it is consummated? We will in addition explore the issues that the dialogue raises about relations between philosophy and literature, and the influence it has had on Western thought (e.g. Freud). The edition we will use is Rowe, C . J., 1998, Plato Symposium. Oxford: Aris and Phillips Classical texts.

20 credits

Pain, Pleasure, and Emotions

Affective states like pain, pleasure, and emotions have a profound bearing on the meaning and quality of our lives. Chronic pain can be completely disabling, while insensitivity to pain can be fatal. Analogously, a life without pleasure looks like a life of boredom, but excessive pleasure seeking can disrupt decision-making. In this module, we will explore recent advances in the study of the affective mind, by considering theoretical work in the philosophy of mind as well as empirical research in affective cognitive science. These are some of the problems that we will explore: Why does pain feel bad? What is the relation between pleasure and happiness? Are emotions cognitive states? Are moral judgments based on emotions? Can we know what other people are feeling?

20 credits

The Radical Demand in Logstrup's Ethics

The biblical commandment 'to love your neighbour as yourself' still has great resonance with people, as does the story of the Good Samaritan who helps the injured traveller he encounters on the road. But what exactly does this love require, and what it its basis? Do we have an obligation to care for others, or is it beyond the call of duty? How can love be a matter of obligation at all? If you help the neighbour, can you demand something in return? Should we help them by giving them what they want, or instead what they need? How far do our obligations to others extend - who is the 'neighbour', and might it include 'the enemy' ? And does the requirement to help the other come from God's command, or from some sort of practical inconsistency given we all need help ourselves, or from their right to be helped - or simply from the fact they are in need? But can our needs be enough on their own to generate obligations of this sort?
We will consider these sorts of questions in relation to the work of K.E. Logstrup [1905-1981], a Danish philosopher and theologian, who discussed them in his key work The Ethical Demand [1956] in which he characterized this relation between individuals as involving a 'radical demand' for care, involving important commitments about the nature of life, value, and human interdependency. We will compare his ideas to related themes in Kant, Kierkegaard, Levinas, and contemporary care ethics.

20 credits

Ethical Scepticism

The module will explore the historical roots as well as contemporary forms of ethical scepticism. We will distinguish different reasons for scepticism and the variety of practical conclusions drawn by sceptics. We will analyse the arguments for scepticism and assess their soundness. We will also consider several replies to the sceptic and assess how successful these replies are

20 credits

Try a new subject:

The flexible structure of your third year at Sheffield means that you also have the chance to experience modules from outside of English and Philosophy - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.